Apr 12, 2019 Known for his work with John Cassavetes, the actor was rediscovered a generation later in films by Wes Anderson.

Apr 8, 2019 We just launched the new Criterion Channel today, and we’re hitting the ground running with a lineup of outstanding film noirs produced by Columbia Pictures between the midforties and the early sixties, after the company had risen from its humble...

Apr 5, 2019 Two-Lane Blacktop A longtime Criterion contributor, Kent Jones has written for us on everything from the glories of studio filmmaking to the most daring and cerebral of art-house auteurs. But regardless of the subject he’s set his sights on, he’s...

April Books

The Daily

Apr 3, 2019 This month’s round features Dalí’s Marx Brothers movie, Bergman family drama, Welles’s unpublished play, and more.

Apr 2, 2019 Mike Leigh’s endless fascination with human behavior is palpable in every one of the films he’s made over the course of his nearly fifty-year career. With an acute sensitivity to rhythm, character, and setting, he extracts extraordinary moments from the...

Mar 29, 2019 When Carlos Reygadas’s debut film, Japón, came out in 2002, my generation was just starting to drive cars, smoke weed, use contraceptives. A movie ticket at the Cineteca Nacional still cost only twenty pesos then if you showed your student...

Mar 27, 2019 Certain films find a way of creeping into your brain because they invite you to explore whole new worlds that continue well beyond their final frames. These movies force you to keep looking for answers to questions posed not just...

Mar 26, 2019 It’s the afternoon of February 8, 1964, and Ed Sullivan has assembled a gaggle of CBS ushers to talk about tomorrow night’s show, featuring the four lads from Liverpool who call themselves the Beetles—strike that, the Beatles. He needs to...

Mar 21, 2019 “The world is full of skeptics,” Detour’s Al Roberts struggles to explain, in voice-over, while on-screen we’re pondering Vera’s dead body. “I know. I’m one myself . . .”Even now, closing in on seventy-five years after the Producers Releasing Corporation...

Mar 19, 2019 A few weeks after Barbara Loden, the writer, director, and star of Wanda, died at age forty-eight after a long battle with cancer, Elia Kazan, her widower, was interviewed by Marguerite Duras for Cahiers du cinéma. It was 1980, and...

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