Dec 13, 2011 Seijun Suzuki’s delirious, absurdist deconstruction of the crime genre is the strangest film the director made at Nikkatsu, Japan’s oldest film company.

Nov 29, 2011 Author Michael Korda (Charmed Lives: A Family Romance) writes: Few things are more challenging than picking ten favorites out of such a long list of distinguished films as that of Criterion, and it seems only fair to point out that,...

Nov 17, 2011 We met award-winning actor Alec Baldwin on Twitter (@AlecBaldwin) and asked him to contribute a Criterion Top 10. His response was immediate and enthusiastic. Baldwin’s film credits include Beetlejuice, Miami Blues, Glengarry Glen Ross, The Royal Tenenbaums, The Cooler (for...

Oct 25, 2011 The film is made up of a succession of small visions, observed and executed with apparent ease but thought through with such exquisite care and attention that the experience becomes overwhelming.

Oct 25, 2011 Danish filmmaker Nicolas Winding Refn is the director of the Pusher Trilogy, Fear X, Bronson, Valhalla Rising, and Drive, for which he won the best director prize at the 2011 Cannes Film Festival.Photo by Kia Hartelius

Oct 25, 2011 The central theme of the film is that the life force inherent in this music is always with us, but you are an idiot if you want to turn on the wayback machine and relive these days.

Oct 4, 2011 Pier Paolo Pasolini’s landmark film intermingles the sacred and profane, associating libertines with holy music, the avant-garde of the thirties, and neoclassical and biblical references.

Oct 4, 2011 No film better illustrates Pier Paolo Pasolini’s challenge to conventional representations, to the social and cultural consensus, than his 1976 masterwork.

Oct 4, 2011 Director Catherine Breillat writes about the primal pleasures of watching Pier Paolo Pasolini’s notorious film.

Oct 4, 2011 Vilified, censored, banned, denied commercial distribution, and long unavailable, Pier Paolo Pasolini’s infamous film lives more in reputation and rumor than in memory.

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