The Criterion Collection
Nov 19, 2007 — Ingmar Bergman made some outstanding films before Sawdust and Tinsel (1953). But that film, released in America under the meretricious title The Naked Night—and known in Sweden as The Clown’s Evening—was the first that no other director could have made....
Essays
Jul 9, 2007 — Hiroshi Teshigahara’s first feature is the kind of uncanny, equivocally realist movie you might hope to duck into in a strange city, stumbling across it in a low-rent theater while escaping a bad date or a debt collector.
Essays
Jan 16, 2007 — The marvel of Mouchette inheres in the elegance, obstinacy, and capaciousness of Bresson’s double-mindedness.
Jul 10, 2006 — In his unpredictable daily encounters with the gorilla Koko and her teacher, Barbet Schroeder foregrounds the quiddity of Koko’s situation in episodic fashion.
Essays
Jan 11, 1999 — It was quite a surprise to learn that David Lean had not read Charles Dickens’ Great Expectations before he embarked on his film version in 1945. The closeness of the adaptation, the understanding of the characters, make one swear it...
Essays
Oct 19, 1998 — Horror need not always be a long-fanged gentleman in evening clothes or a dismembered corpse or a doctor who keeps a brain in his gold fish bowl. It may be a warm sunny day, the innocence of girlhood and hints...
The Daily
Jul 25, 2024 — Claude Chabrol, Bong Joon Ho, Ann Hui, Anna Cobb, and Wei Shujun are among the names that have come up this week.
The Daily
Mar 8, 2024 — This week calls for notes on some of the best writing on each of the ten nominees for Best Picture.
The Daily
Aug 5, 2022 — We wrap the week with melodrama and Odorama, a new magazine, and the summer of 1982.
The Daily
May 22, 2020 — This week’s round features the story behind John Cassavetes’s debut feature and conversations with Dan Sallitt and Jonathan Rosenbaum.