The Fan

Oct 21, 2015 — Masaki Kobayashi takes on broken vows and the unreality of the past in his sensual and spooky four-part adaptation of Lafcadio Hearn’s Japanese folktales.

Jul 2, 2015 — By recounting the impossibility of making a movie, Federico Fellini ended up creating a masterpiece that almost fell into his lap.

May 22, 2015 — A music star burns brightly and flames out beautifully in Mark Rydell’s visceral rock-and-roll film, starring a sensational Bette Midler.

Nov 12, 2013 — Noah Baumbach and Greta Gerwig create a luminous, romantic portrait of a young woman looking for fulfillment in New York City.

Sep 7, 2012 — Did You See This? • We are very impressed. • Talking cult cinema with Eating Raoul’s Mary Woronov • Some fantastic out-of-the-way theaters, from the underground to the grandiose • Digging deeper with Cronenberg • Mailer’s unorthodox Hamptons excursion •...

Feb 14, 2012 — For nearly three decades, Hideo Gosha (1929–1992) made some of the most explosive, artful, and original films in Japanese cinema. Along the way, he also became one of his country’s most established and acclaimed filmmakers. But his reputation in the...

Dec 7, 2010 — “Eroticism,” Luis Buñuel told an interviewer, “is a diabolic pleasure that is related to death and rotting flesh.” No filmmaker conveys this idea with more ingenuity and macabre gusto than David Cronenberg, whose movies (hilariously, terrifyingly) illustrate the equation of...

Aug 19, 2009 — I Am Waiting: Port of Call The year: 1957. The city: Yokohama, not far from the piers. The sound of the tide softly lapping against stones in the darkness, cubes of black ice in a tumbler of foam. Night. Rain....

Dec 29, 2008 — It is a good time to belong to the cult of Fuller. Those of us who consider ourselves members never forget our moment of induction. Some enlisted when his films first hit the screen—lucky enough to catch The Steel Helmet...

Jun 25, 2007 — Taking the form of apocalyptic science fiction typical of the Cold War era, Chris Marker’s singular film is simultaneously a philosophical fiction, genre exercise, and treatise on cinematic time.