Our Own

Jun 25, 2024 — Barry Jenkins’s extraordinarily ambitious limited series distinguishes itself in the tradition of the cinematic slavery epic through its understanding that Black joy and Black trauma cannot be cleaved from each other.

Jun 21, 2024 — We open with an Italian neorealist classic, steer through ’70s-era paranoia, and wrap with a blast of gnarly rock ’n’ roll.

Jun 21, 2024 — An underrated figure of Japanese cinema’s postwar era, the director tackled a wide range of subjects over his long career, including corporate double-dealing, government espionage, and various forms of fanaticism.

Jun 20, 2024 — All the Archers’ classics but also more than a few rarities will screen as part of MoMA’s comprehensive retrospective.

Jun 18, 2024 — We’re diving deeper this month into a new Elaine May biography and memoirs from Susan Seidelman and Griffin Dunne.

Jun 13, 2024 — Baker has selected seventeen films to screen in New York before her first feature opens next week.

May 29, 2024 — Berlin’s Kino Arsenal presents a series focusing on nature and the nonhuman in cinema.

May 28, 2024 — In Karyn Kusama’s award-winning feature debut, Michelle Rodriguez delivers a smoldering performance as a young woman who finds in boxing a container for her grief, loss, and rage.

May 24, 2024 — During a period of seismic change in U.S. history, the Hollywood studio system began to fracture beyond repair, resulting in a new freedom in how movies explored themes of violence, psychosis, and social breakdown.

May 22, 2024 — Critics in Cannes warmly welcome Rumours, Christmas Eve in Miller’s Point, and Eephus.