The Criterion Collection
The Daily
Jan 12, 2018 — Mark Freeman introduces this year’s Senses of Cinema World Poll, collecting over 120 lists “from Cannes to Wellington and New York to Paraguay,” adding that “this truly represents the incredible global reach and intense local engagement with the cinema. If...
The Daily
Jan 12, 2018 — Yance Ford’s Strong Island, which “mines his intense personal history of growing up on Long Island in the ’80s, with a focus on the murder of his brother and the shockwaves it sent through their entire family,” has won Outstanding...
The Daily
Jan 11, 2018 — The turn of each year always sees a flurry of listing, remembering, and anticipating that seems to knock just plain reading off the agenda for the time being. Now, a little over a week into the new year, we can...
The Daily
Jan 10, 2018 — Before looking back on the highlights of his 2017 in an entry for Filmmaker, Vadim Rizov has a note or two on attending the recent New York Film Critics Circle awards dinner: The very concept of a critics’ award ceremony...
The Daily
Jan 9, 2018 — Before we take another look back at the best (and today, the worst) of 2017, let’s note that, for Grasshopper Film, Radu Jude (Aferim!, Scarred Hearts) has listed, in chronological order, his eleven favorite films of the past ten years....
The Daily
Jan 9, 2018 — Guillermo del Toro’s The Shape of Water has scored twelve British Film Academy Awards (BAFTAs) nominations, followed by Martin McDonagh’s Three Billboards Outside Ebbing, Missouri and Joe Wright’s Darkest Hour with nine each, and Denis Villeneuve’s Blade Runner 2049 and...
The Daily
Jan 8, 2018 — Hirokazu Kore-eda has begun work on an as-yet-untitled film already slated for release in Japan in June, reports Patrick Frater for Variety. “The story, which the director has been developing for some ten years, involves a small girl who is...
The Daily
Jan 8, 2018 — “If you were dream-casting the role of Golden Globes host for the season of #MeToo and #TimesUp, with black-clad attendees from TV series and films that confronted misogyny (The Handmaid’s Tale) and racism (Get Out) and a barnburner of a...
The Daily
Jan 7, 2018 — This past Christmas Eve, Jonas Mekas—filmmaker, poet, critic, co-founder of the journal Film Culture and New York’s Anthology Film Archives—turned ninety-five, certainly occasion enough for IndieWire’s Eric Kohn to get a few words with him. They discuss government support for...
The Daily
Jan 7, 2018 — The updates to the entry on Paul Thomas Anderson’s Phantom Thread are still rolling in, and one of the most recent ones links to Sheila O'Malley’s cover article for the new issue of Film Comment. “Unlike other clichéd Great Men...