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The little man

Oct 23, 2025 For many critics and fans, the only problem with the five-hour series is that it isn’t twice as long.

Jun 12, 2025 The acclaimed crime writer joins a producer of the 1999 adaptation of The Talented Mr. Ripley to discuss the cinematic incarnations of Patricia Highsmith’s shape-shifting, quintessentially American antihero.

May 27, 2025 Suffused with slapstick humor and slightly surreal wit, Richard Lester’s beloved take on a frequently adapted adventure epic embodies a style of extravagant filmmaking that didn’t survive long past the 1970s.

Apr 16, 2025 The two Cannes sidebars select films by Christian Petzold, Robin Campillo, Eva Victor, and Sophie Letourneur.

Mar 31, 2025 The first five days of New Directors/New Films, the showcase of new talent copresented by FLC and MoMA, are packed.

All for an Idea

The Daily

Aug 2, 2024 Along with the new Senses of Cinema, we’re reading interviews with Michael Roemer, Claire Denis, and M. Night Shyamalan.

Jul 17, 2024 With a deep dive under the hood of Ferrari, Mann aims to explain how he goes about making a movie.

Apr 2, 2024 The main attraction of the Metrograph series will be the new restorations of Green Fish, Peppermint Candy, Oasis, and Poetry.

Mar 25, 2024 What makes a “bad” movie anyway? By surveying the bombs, disasters, and secret masterpieces (dis)honored at the Golden Raspberry Awards, we can learn much about American cinema’s prevailing standards of taste.

Dec 8, 2023 Roy Waller (Nicolas Cage), the jittery protagonist of Ridley Scott’s 2003 crime comedy Matchstick Men, doesn’t like to think of himself as a common crook. “I’m a con artist,” he insists, and—in a frenzy of self-justification—further explains: “They give me...

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