The Criterion Collection
Essays
Nov 14, 2012 — Jean Luc Godard’s exuberant, multipronged attack on the bourgeoisie is both theater of the absurd and political horror.
Sep 17, 2007 — G. W. Pabst’s adaptation of the play by Bertolt Brecht transforms the original without betraying it, softening its cynicism with humanity and integrating elements of psychoanalysis.
Essays
Sep 29, 2003 — Roman Polanski’s maiden feature would define his maverick status once and for all.
Essays
May 24, 1999 — Before The Red Shoes, there were films with dance numbers. After it, there was a new medium which combined dance, design, and music in a dreamlike spectacle. Hollywood musicals were quick to pay tribute—An American in Paris was the most...
Oct 24, 2024 — The director of such classic political docudramas as On the Bowery and Come Back, Africa defied the conventions of nonfiction filmmaking with his innovative approach to collaboration and performance.
The Daily
Sep 8, 2023 — We’re celebrating Ousmane Sembène’s centennial, reading interviews with Ryusuke Hamaguchi and Kasi Lemmons, and watching soundies.
The Daily
Jan 26, 2023 — With confident verve, Brandon Cronenberg’s Infinity Pool and Laura Moss’s birth/rebirth defy horror fans’ expectations.
The Daily
Dec 13, 2022 — MoMA presents newly restored and preserved work by Ozu, Lubitsch. René Clair, Paul Leni, and more.
The Daily
Oct 14, 2022 — Martin Scorsese remembers Jean-Luc Godard, Francine Prose admires Jafar Panahi, and Guy Maddin discusses his earliest and newest works.
Sep 28, 2022 — Sarah Maldoror’s only completed narrative feature tracks the Angolan struggle for independence from Portugal and reckons with the interlocking systems of colonialism, capitalism, and patriarchy.