The Criterion Collection
In Theaters
Jun 6, 2013 — Repertory PicksOne doesn’t necessarily think of ascetic cinema master Robert Bresson as an action director, but he undoubtedly made one of the most elegant and suspenseful prison break movies of all time. His 1956 masterpiece A Man Escaped, based on...
May 14, 2013 — Delmer Daves’s classic western is psychologically probing, magnificently shot, and fascinatingly ambiguous.
Oct 30, 2012 — All of them actors? Nearly everyone wears a mask in Roman Polanski’s devilishly clever work of horror.
Short Takes
Jun 8, 2012 — You’d be forgiven for expecting something lurid and shameless from Ingmar Bergman’s Summer with Monika after viewing this trailer for the original, dubbed American release. Also: it was based on the Time magazine story “Sin in Sweden”? News to us!...
May 23, 2012 — Iranian master director Abbas Kiarostami voyaged to Italy to make a film that questions love, relationships, and Western art cinema.
Apr 24, 2012 — Among the most widely seen photographs of Hollis Frampton is one of him as a young man, a self-portrait taken in 1959, if we are to trust the narration he composed to accompany its inclusion in his 1971 film (nostalgia)....
Essays
Mar 27, 2012 — Coward and Lean? It may not sound as natural as Launder and Gilliat or Powell and Pressburger, perhaps because we don’t instinctively think of Noël Coward as a filmmaker or of David Lean as part of a team. But they...
Nov 14, 2011 — In 1989, the Communist rule that had dominated Eastern Europe since the end of the Second World War collapsed with astonishing rapidity. If the long-term political, economic, and ideological consequences of Europe’s reunification are still unfolding, there was an immediate...
Interviews
Oct 7, 2011 — For Janus Films’ new print of Jean-Luc Godard’s Weekend, which starts showing today, designer Steve Chow created an eye-catching poster that vividly captures that New Wave battering ram’s apocalyptic, sideways vision. This is the third Godard design that Chow has...
Aug 30, 2011 — “It is much less a film than it is myself,” Jean Cocteau wrote to a friend at the time he was making Orpheus (1950), “a kind of projection of the things that are important to me.” As with many of...