Ik-Film

Oct 22, 2013 — Jonathan Caouette is the director of several feature-length documentaries: the award-winning personal diary film Tarnation (2004), produced by John Cameron Mitchell and Gus Van Sant; All Tomorrow’s Parties (2009), about the music festival; and Walk Away Renee (2011), the follow-up...

Oct 4, 2013 — Daniel Lopatin, a.k.a. Oneohtrix Point Never, is a Brooklyn-based experimental musician. His fifth album, R Plus Seven, is now available from Warp Records. Among his credits are the multimedia performance Reliquary House for New York’s Museum of Modern Art in...

Sep 30, 2013 — Keegan McHargue is a painter whose work has been exhibited throughout the world and draws on many facets of culture, with a particular affinity for film. His exhibition Prick of Conscience was at Fredericks & Freiser Gallery in New York...

Sep 24, 2013 — Marketed as a movie of volcanic passion, Roberto Rossellini’s first film with Ingrid Bergman is rather a pragmatic take on the negotiations of matrimony.

Jul 31, 2013 — The story of the author’s long correspondence with the silent film icon.

Jul 30, 2013 — A genuine American movie legend, the eighty-seven-year-old producer and director Roger Corman has been in the film business since the early 1950s. He is perhaps best known for the low-budget horror films he issued with remarkable speed in the early...

Jun 25, 2013 — “This list is so hard to make,” writes Lena Dunham, writer and director of the film Tiny Furniture and writer and creator of the HBO series Girls. “I am Criterion-obsessed and even own some Janus Films VHS’s . . ....

Jun 25, 2013 — How Claude Lanzmann made a thoughtful film about the unthinkable and unfilmable.

May 28, 2013 — For Haskell Wexler, the director of Medium Cool, and the Oscar-winning cinematographer of Who’s Afraid of Virginia Woolf? and Bound for Glory, writing about his ten favorite Criterion films became a trip down memory lane. His responses, made up of...

May 28, 2013 — Mike Leigh’s breakthrough is a funny film about serious things, and an emotional and slyly political take on consumer culture.