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The Red Girl

Nov 21, 2005 Why would ambitious filmmakers simply film an opera? Many admirers of the work of Michael Powell and Emeric Pressburger have assumed that their decision to make The Tales of Hoffmann, in 1950, was in some way an admission by the...

Jan 10, 2005 Seijun Suzuki made a breakthrough with his second feature, a yakuza thriller full of devil-may-care assurance and try-anything imagination.

Sep 29, 2003 “Gray literature” is the term German film historians use to describe the material written purely for publicity purposes and made available to the press, but not meant for official publication. Often this gray literature, which is only accessible to film...

Jul 14, 2026 News of his “sudden and unexpected” passing has drawn a flood of appreciation and genuine affection.

Mar 10, 2026 Metrograph presents a retrospective of work by a filmmaker championed by Godard, Rivette, and Bazin.

Jan 21, 2025 Lynchian may be impossible to define, but you know it when you see it.

October Books

The Daily

Oct 23, 2024 This month brings new books on Brian De Palma, Tobe Hooper, unhappy writers, and classic documentaries.

May 14, 2024 Despite the harsh critical drubbing it received upon its release in 1960, Michael Powell’s lurid tale of obsession and violence is now widely regarded as a masterpiece—and as a key inspiration for an entire subgenre of “slasher” movies.

Cannes 2024 Lineup

The Daily

Apr 11, 2024 Anticipation builds for new work from Jia Zhangke, Francis Ford Coppola, Andrea Arnold, and David Cronenberg.

Mar 8, 2024 Though the Taiwanese director began working in commercial genres, even his earliest mainstream films contain the seeds of the inimitable style that would establish him as one of the world’s most important filmmakers.

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