The Criterion Collection
Aug 12, 2020 — Mia Hansen-Løve makes delicate, graceful films about overpowering emotions. After beginning her career in front of the camera, acting in Olivier Assayas’s Late August, Early September (1998) and Les destinées (2000) as a teenager, she transitioned to directing at the...
Oct 24, 2017 — In this intimate psychological thriller, Olivier Assayas interrogates contemporary society’s near-religious reliance on technology and its mediation of reality.
The Daily
Oct 6, 2017 — “In both shape and sensibility, the work of Los Angeles-based filmmaker Ben Russell embodies a fluid yet holistic creative practice,” writes Jordan Cronk, introducing his interview for Film Comment. “A spiritual descendant of cinematic anthropologists Jean Rouch and Robert Gardner,...
The Daily
Jul 17, 2017 — “Steven Spielberg laid claim to the Normandy beach landing,” begins Variety’s Peter Debruge, “Clint Eastwood owns Iwo Jima, and now, Christopher Nolan has authored the definitive cinematic version of Dunkirk. Unlike those other battles, however, this last was not a...
Interviews
Jun 5, 2014 — The following is excerpted from an interview with Red River editor Christian Nyby that critic Ric Gentry conducted in 1991.
Jul 21, 2008 — Akira Kurosawa’s modern adaptation of an American thriller represents a departure from his usual themes and stylistic choices.
Nov 21, 2019 — Every love affair requires a border crossing. The person you see across a crowded bar, or meet at a dinner party, or find on a dating app is another country altogether—maybe a nice place to visit, but do you really...
Oct 21, 2014 — Federico Fellini’s frantic tragicomedy is such a classic it risks being underestimated.
Jun 9, 2020 — A couple walk down a cacophonous street in New York. They’re bundled in coats—wrapped up in their own worlds. She is incandescent with joy, talking about her cadre of close friends and their regular meetings. He wears a resigned face,...
The Daily
Jun 10, 2026 — Early reviews of his thirty-fifth feature may be all over the place, but appreciation of the man himself is universal.