The End of Violence

Mar 30, 2026 — Suffused with visual beauty and moments of magical realism, Jess X. Snow’s queer diasporic cinema invites us to imagine new possibilities for freedom, transformation, and intergenerational healing.

Mar 2, 2026 — A New York retrospective offers Eyes Without a Face, naturally, but also rarely screened features and nonfiction shorts.

Feb 23, 2026 — Juries, critics, filmmakers, and audiences debated politics from the first through the last day of this year’s edition.

Nov 18, 2025 — Though the first two decades of the Iranian filmmaker’s career have long been underappreciated, this fertile period yielded philosophical and restlessly innovative works that reinvigorated both documentary and narrative-fiction cinema.

Oct 29, 2025 — In her intensely personal debut feature, the filmmaker and poet investigates the myths that have shaped South African history through a mix of archival footage, poetic remembrances, and conversations with friends and family.

Oct 1, 2025 — With two films set to open next month, Richard Linklater programs a series of French New Wave classics.

Sep 30, 2025 — Made with a formal control unparalleled in modern American cinema, the films of this utterly distinctive auteur seek to contain and understand an uncontainable, unknowable world.

Sep 16, 2025 — In response to the suffocating conservatism of the eighties, Lizzie Borden crafted a pluralistic vision of a feminist front that neither ignores difference nor lets it stand as an immovable obstacle to political solidarity.

Aug 19, 2025 — Vittorio De Sica’s neorealist masterpiece captures the indifference and hostility of the adult world through the eyes of two young boys who share a bond stronger than that of family.

Aug 19, 2025 — In his fifth and sixth feature films, Edward Yang sought to uncover what was hidden in Taipei society, often in plain sight, looking past the city’s shiny skyline to the fault lines beneath the surface.