The Criterion Collection
Features
Oct 26, 2010 — For several decades now, William Faulkner’s Light in August (1932) and Carl Dreyer’s Gertrud (1964) have been major touchstones for me—not only separately but also in some mysterious relation to each other. I even managed to find a way of discussing these...
The Daily
May 12, 2026 — Sorting through critics’ most-anticipated titles, catching up with interviews and profiles, and more.
May 27, 2025 — A landmark of independent cinema, Charles Burnett’s debut feature captures daily life in Watts, Los Angeles, with a depth and precision that evokes the history of Black American music.
The Daily
Sep 25, 2019 — Here’s an overview of how fifteen films in the NYFF’s Main Slate have been faring since premiering in Cannes.
Aug 14, 2019 — There is a scene in Henry King’s State Fair (1933) that ranks among the most poetic moments in all of 1930s American cinema. There is not much to it, just a family driving through the dusk in their rattling pickup...
Mar 1, 2017 — In his most seductive experiment with cinematic time, Richard Linklater wrestles with the joys and challenges of long-term intimacy.
Essays
Jul 14, 2026 — In May of 1962, when Martin Ritt arrived in the Texas Panhandle town of Claude to begin filming Hud, he may have sensed that his career was about to change. Hud would be Ritt’s ninth feature but his first personal...
The Daily
Sep 24, 2020 — Taking all the necessary precautions, Paul Thomas Anderson, Jacques Audiard, and Paolo Sorrentino are back at work.
Jul 27, 2020 — The first shot of Atom Egoyan’s 1984 debut feature, Next of Kin, is a ground-level pan across the baggage claim section at Toronto’s Pearson Airport. The camera is angled so that our gaze is on the various pieces of luggage...
The Daily
Jul 1, 2020 — The actor, writer, and director was one of the most beloved comedians of his generation.