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Jan 29, 2016 — Film theorist Laura Mulvey, who introduced the world to the concept of the “male gaze,” is one of cinema’s most influential thinkers. She is a professor of film and media studies at the University of London’s Birkbeck College and is...

Jun 30, 2015 — Annie Baker is the writer of the play The Flick, the winner of the 2014 Pulitzer Prize for Drama, which is playing at the Barrow Street Theatre in New York until January 10, 2015. Her other plays include Body Awareness...

Sep 29, 2014 — The Toronto-based songwriter-producer Austin Garrick is one-half (alongside vocalist Bronwyn Griffin) of the electronic pop duo Electric Youth, whose full-length debut album, Innerworld, was released in September 2014 by Secretly Canadian/Last Gang Records. Garrick’s music is known to fans of...

May 19, 2014 — As in his other films, the world of Abbas Kiarostami’s latest is one of simulation, not-quite-realness, and unexpected tenderness.

Apr 24, 2014 — James Schamus is the former CEO of Focus Features; the producer of, among other films, Ride with the Devil (1999) and Brokeback Mountain (2005); the screenwriter and producer of The Ice Storm (1997); and a professor of professional practice at...

Feb 28, 2014 — Other first films exude the sparkling joy of filmmaking that one feels in Breathless, but how many can boast its sure-handedness?

Jan 31, 2014 — Tim Forbes is chairman of Forbes Digital and a former independent producer and screenwriter. He writes: “At the Brown Film Society in the early 1970s, we ran about twenty different movies a week, showing everything then available, from the lowliest...

Oct 28, 2013 — A husband and wife in 1960s Milan are isolated from each other and displaced in the modern world in Michelangelo Antonioni’s tale of love and space.

Nov 27, 2012 — Writer, director, and author Paul Feig is the director and producer behind the hit comedy Bridesmaids, as well as the creator of the beloved cult series Freaks and Geeks, a director and coexecutive producer of The Office, and the author...

Nov 13, 2012 — Rejecting the orientalism of other adaptations, Pier Paolo Pasolini’s take on the classic tales is humane and erotic.