Moving

David Schwartz, an independent curator and writer, was chief curator at Museum of the Moving Image for more than thirty years, and has programmed for the Museum of Modern Art, Film Forum, Metrograph, and many other venues. He writes for...

Emma Wilson teaches European cinema and literature at the University of Cambridge. She has written on Pedro Almodóvar’s films previously in her monographs Cinema’s Missing Children (2003) and Love, Mortality and the Moving Image (2012). Her latest book is The...

Eric Hynes is a New York–based journalist, film critic, and curator. His writing has appeared in publications such as the New York Times, the Washington Post, Slate, Film Comment, Sight & Sound, and Reverse Shot. He is curator of film...

Lou Lumenick is the chief film critic of the New York Post. He has also written for Moving Image Source and been a guest programmer for Turner Classic Movies.

Nick Pinkerton is a Cincinnati-born, Brooklyn-based writer focused on moving-image-based art. His writing has appeared in Film Comment, Sight & Sound, Artforum, frieze, Reverse Shot, 4Columns, Harper’s, the Baffler, and the Village Voice, among other publications

Michael Koresky is the senior curator of film at Museum of the Moving Image; cofounder and editor of the online film magazine Reverse Shot, a publication of MoMI; the author of Sick and Dirty: Hollywood’s Gay Golden Age and the...

Jul 13, 2026 — Jurors have honored films from Myanmar, Denmark, Slovakia, Japan, and Greece.

Jul 10, 2026 — We’re celebrating the Harry Dean Stanton centennial, listening to Ross McElwee and Tsai Ming-liang, and revisiting the work of Bruce Conner.

Jul 8, 2026 — Around five hundred films—restorations, revivals, rediscoveries—screened last month in Bologna.

Jul 2, 2026 — This week’s roundup ranges from sad goodbyes to a silent comedy, from Hitchcock to Barker, and from video art to a cult TV series.