The Criterion Collection
The Daily
Jul 29, 2025 — MoMA presents new restorations of three films from Germany and four from Hollywood.
Jul 22, 2025 — An era-defining reckoning with the sexual revolution, Mike Nichols’s controversial drama develops a rigorous form for analyzing what we have recently come to call “toxic masculinity.”
The Daily
Jul 21, 2025 — Summer offers new biographies and memoirs, expansively big ideas, and more than a few curious fictions.
The Daily
Jul 3, 2025 — The week wraps with Peter Wollen on Performance, a top ten from Radu Jude, and a conversation with Dag Johan Haugerud.
Essays
Jul 1, 2025 — Made nearly two decades into Fritz Lang’s Hollywood career, this brutal noir is designed for maximum velocity and impact, eschewing the director’s accustomed flourishes in favor of a stark literalness.
Essays
Jun 24, 2025 — The product of a famously tumultuous production, William Friedkin’s nerve-jangling adaptation of the classic suspense novel The Wages of Fear infuses the mechanics of genre with rough-hewn realism and the New Hollywood’s renegade spirit.
Jun 12, 2025 — The acclaimed crime writer joins a producer of the 1999 adaptation of The Talented Mr. Ripley to discuss the cinematic incarnations of Patricia Highsmith’s shape-shifting, quintessentially American antihero.
The Daily
Jun 4, 2025 — BAMPFA spotlights postwar American noirs creeping out into wide-open spaces.
The Daily
May 30, 2025 — The week wraps with an overlooked gem starring Jamie Lee Curtis, a new issue of Cineaste, and conversations with Lisa Lu and Takashi Miike.
The Daily
May 29, 2025 — The rise of fascism upended the childhoods of both filmmakers.