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Killers

Nov 7, 2023 For cinephiles in New York and Los Angeles, MoMA curators have selected some of the year’s most enduring films.

Love Wins

The Daily

Oct 19, 2023 The UK celebrates Powell and Pressburger, two writers tune into Robert Bresson, and The Exorcist turns fifty.

Oct 6, 2023 Notes on a “gobsmacking” Mexican classic, Isabelle Adjani’s secrets, and underground cinephilia in Iran.

Noir by Gaslight

Features

Oct 4, 2023 Night has fallen in London, but the streets still teem with people. Through a second-story window, we watch as an elderly Jewish man who lives over a shop is stabbed to death and his rooms are set on fire. We...

Sep 15, 2023 This week features interviews with Martin Scorsese and Arturo Ripstein and appreciations of Tout va bien and Boris Karloff.

Sep 14, 2023 Male aggression threatens women’s lives in Kitty Green’s follow-up to The Assistant and Anna Kendrick’s debut feature.

Sep 11, 2023 The jury in Venice presented its top awards to Yorgos Lanthimos, Ryusuke Hamaguchi, Matteo Garrone, and Agnieszka Holland.

Sep 6, 2023 Poor Things and The Beast are critical favorites, Ferrari comes alive when the big race is on, and verdicts are split on The Killer.

Aug 1, 2023 “Do you want me to turn them loose?” This is what cowboy Perce asks a sad-eyed Roslyn in John Huston’s elegiac The Misfits (1961), and that one question about untying the mustangs he and fellow wranglers Gay (Clark Gable) and...

Jul 25, 2023 The protagonists in Budd Boetticher’s five classic Columbia westerns are paired with opponents who, venal though they may be, almost always have their reasons.

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