The Criterion Collection
Mar 24, 2021 — Performances By the time The Manchurian Candidate was released in 1962, Frank Sinatra had been on American screens and in American hearts for nearly two decades. His bobby-soxers had been displaced by Elvis fans, who had been displaced by Beatles...
The Daily
Jul 7, 2020 — The renowned composer of well over four hundred film scores was equally at home in avant experimentation and tear-jerking sentimentality.
May 24, 2019 — Elia Suleiman, who returned to Cannes this year with his latest film, talks with us about comedy as a form of political resistance.
Essays
Jul 2, 2018 — Josef von Sternberg may have been one of cinema’s original micromanagers, but his films are testaments to longstanding collaborations with brilliant artists and technicians.
The Daily
Dec 23, 2017 — Let’s first take a quick break from 2017 and look back fifty years (as I suspect we’ll be doing a lot in 2018). For Little White Lies, Justine Smith has been rifling through various archives and has put together a...
Essays
Mar 28, 2017 — In his first English-language feature, Michelangelo Antonioni examines the elusiveness of the real through the lens of a murder mystery.
Jun 28, 2016 — When Stanley Kubrick bought the motion picture rights to the 1958 thriller Red Alert, by the retired Royal Air Force navigator Peter George, he meant to direct an action film about a nuclear war triggered by a solitary madman. Some...
Nov 24, 2009 — For twenty years, the remains of television’s self-proclaimed golden age lay dormant in the vaults of the commercial networks. I remember traveling, as a young researcher for NBC, to Englewood Cliffs, New Jersey, where the old shows of the fifties...
Interviews
Sep 30, 2009 — Agnès Varda’s 1962 New Wave masterpiece Cléo from 5 to 7 has gotten a dramatic reinterpretation from Annie-B Parson and Paul Lazar, stage directors and founders of New York’s Big Dance Theater. Comme Toujours Here I Stand—which premiered in April...
Essays
May 22, 2006 — Luis Buñuel’s merciless satire concerns the smallness of our vision of progress and our narrow attempts to achieve it through rational or moralistic planning.