Daisy

May 17, 2017 — Welcome to the first entry of the Daily at the Criterion Collection. For those of you who don’t know me, since 2003 I’ve been gathering links to essential—or simply fun—reading, news stories, and items of interest into a sort of...

Feb 20, 2017 — Joan Crawford delivers one of her greatest performances in Michael Curtiz’s unsparing look at class, ambition, and the all-consuming intensity of maternal love.

Oct 28, 2016 — Did You See This? Just in time for Halloween, the travel blog Atlas Obscura has put together a map of creepy movie locations across America, including the Pennsylvania theater featured in The Blob and the Washington café that serves as...

Sep 24, 2015 — Bruce Beresford critiques the British colonialist era in this precise, layered adaptation of a 1939 novel by Joyce Cary.

Sep 23, 2015 — Bruce Beresford draws on a controversial episode of Australian colonial history from 1901 to create an electrifying drama that questions the moral certitude of war.

Sep 21, 2015 — This week, veteran director Bruce Beresford joins the collection with Breaker Morant and Mister Johnson, two early twentieth-century period pieces about colonialism and its destructive legacies. Beresford (seen above on the set of Mister Johnson) has been making movies for...

Mar 25, 2015 — Long unheralded and at last rediscovered, actor-director Robert Montgomery’s Ride the Pink Horse is one of the key Hollywood features of 1947, the year film noir flooded the screen like a ruptured reservoir of India ink. Adapted from the popular...

Sep 26, 2014 — For this week’s festival of free films on Hulu, we put French bombshell Brigitte Bardot in the spotlight. The gorgeous actor, singer, and model burst onto the scene with Roger Vadim’s scandalous 1956 romp And God Created Woman, and was...

Jun 24, 2014 — In 1964, Richard Lester harnessed the Beatles’ exploding superstardom for a giddy day-in-the-life pop masterpiece.

Jun 16, 2014 — Georges Franju evokes the surreal silent serials of Louis Feuillade while constructing his own personal cinematic paradise.