The Criterion Collection
Jul 23, 2025 — The director of Female Perversions looks back on the film’s transgressive exploration of women’s sexuality and on Tilda Swinton’s role as a key collaborator.
The Daily
Jul 16, 2025 — Opening in New York this week, the program is heading next to Austin, Seattle, Los Angeles, and Vancouver.
The Daily
Jul 15, 2025 — Much of the program upends assumptions about the postwar years as a period of relative calm and conformity.
The Daily
Jun 26, 2025 — This is the season for catching 35 mm and 70 mm prints of classics and rarities.
Essays
Jun 17, 2025 — Mitchell Leisen’s marvelously chic and brilliantly constructed screwball classic revolves around a heroine who flounders through a succession of complications but always manages to come out ahead.
Jun 17, 2025 — Drawing from over a dozen hours of black-and-white footage, Direct Cinema pioneer Charlotte Zwerin created this elliptical and moving portrait of one of American music’s most original artists.
Jun 12, 2025 — The acclaimed crime writer joins a producer of the 1999 adaptation of The Talented Mr. Ripley to discuss the cinematic incarnations of Patricia Highsmith’s shape-shifting, quintessentially American antihero.
The Daily
Jun 6, 2025 — Wes Anderson celebrates Satyajit Ray, Chantal Akerman talks framing, and Callie Hernandez writes about Jonathan Glazer.
The Daily
May 27, 2025 — The triumphant return of Jafar Panahi capped off what many consider to be a terrific year at Cannes.
The Daily
May 20, 2025 — Cannes 2025: Sirāt and Two Prosecutors emerge as critical favorites, while Nouvelle Vague finds both champions and detractors.