The Criterion Collection
Feb 28, 2022 — Ulysses Jenkins is an artist of extremes, an innovator who has probed the limits of a wide range of aesthetic modes for over five decades. Though he’s best known for his video art, a medium whose conventions he has been...
Feb 23, 2022 — In the 1961 screen adaptation of Lorraine Hansberry’s classic play, the actor radiantly embodies the conflicting impulses that define the character of Beneatha Younger—a modern woman filled with hope and longing.
Feb 22, 2022 — In centering the perspectives of refugees, Hong Kong filmmaker Ann Hui created a work of political solidarity that stands in contrast to the dehumanizing cinematic depictions of Vietnam from the period.
Feb 9, 2022 — The Learning Tree may have been Gordon Parks’s first feature film as a director, but by the time filming began in the fall of 1968, Parks already had almost three decades of experience behind a camera. In 1940, the self-taught...
Feb 2, 2022 — Released in 1972, Perry Henzell’s thrilling drama The Harder They Come, starring real-life reggae icon Jimmy Cliff as singer-turned-outlaw Ivanhoe Martin, was among the first films to prominently feature reggae music both as subject matter and on its soundtrack. The...
On the Channel
Dec 1, 2021 — Celebrate the holidays with our 21-film Alfred Hitchcock retrospective and a series dedicated to collaborations between female directors and cinematographers.
Sep 28, 2021 — Melvin Van Peebles’s feature debut riffs on the French New Wave to tell a love story that portrays interracial intimacy and unflinchingly confronts the distortions of racism.
The Daily
Sep 22, 2021 — No one’s claiming that Cry Macho is a great movie, but plenty are moved to reflect on what Eastwood has meant to us over all these years.
Sep 3, 2021 — In the thirty-fifth edition of the Italian festival dedicated to restored films, an eclectic lineup underscores the transportive physicality of cinema after a long year stuck at home.
The Daily
Aug 17, 2021 — This month we’re reading about Hollywood memoirs, cultural histories, and the revived debate over the screenplay for Last Year at Marienbad.