The Criterion Collection
Jun 4, 2009 — Apparently, a group called the Secret Science Club threw a pretty happening Painlevé party in Brooklyn a few weeks ago. Seems we weren’t on the guest list (well, it is after all “secret”), so it’s a good thing that the...
Jun 3, 2009 — The Curious Case of Benjamin Button property master Hope Parrish writes: “When it came to the postcards and the diary, David was involved every step of the way. I found hundreds of postcards that he narrowed down to the ones...
Jun 3, 2009 — We’ve pieced together comments from production designer Donald Burt and property master Hope Parrish of working with the supermeticulous and precise David Fincher on perfecting the atmosphere and historical accuracy of The Curious Case of Benjamin Button. You can click...
Jun 2, 2009 — If you’ve seen John Huston’s wild Wise Blood, then you might want to know more about Flannery O’Connor, from whose debut novel the film is faithfully adapted. A good place to start would be Brad Gooch’s Flannery: A Life of...
May 31, 2009 — Apparently, things were as rough on the set of Lindsay Anderson’s This Sporting Life as they were on-screen. In a new piece for the Guardian, written on the occasion of a theatrical rerelease of the film in the United Kingdom,...
May 25, 2009 — Reported from the set of Eddie Coyle by New Journalism trailblazer Grover Lewis, this article is a profile of Robert Mitchum that features extensive, idiosyncratic monologues by Mitchum himself.
May 21, 2009 — People just can’t get enough of The Red Shoes, judging by the buzz surrounding the new digital restoration of Powell and Pressburger’s Technicolor masterpiece, which premiered last week at the Cannes Film Festival. And the latest offering in the swirl...
May 20, 2009 — With its madcap mixture of the political and the, uh, porcine, Shohei Imamura’s Pigs and Battleships is a strange (and strangely satisfying) beast indeed. To better understand where the director was coming from when he made this breakthrough work, we...
May 20, 2009 — Early in Shohei Imamura’s Intentions of Murder, the librarian Riichi distractedly peruses Herbert Marcuse’s Eros and Civilization while conversing with his clinging mistress, Yoshiko. One can read the reference in many ways: as a glancing jest, as an (uncharacteristic) Imamurian...