Le massaggiatrici

Nov 10, 1986 — Max Ophuls’s masterpiece is a transformation of a conventional subject into an avant-garde adventure, and a spectacular stylistic breakthrough in the utilization of wide screen and color.

Aug 20, 2021 — The author of Velvet Was the Night pays tribute to the shockingly stripped-down, dread-inducing use of silence in Jean-Pierre Melville’s masterful neonoir.

Feb 14, 2019 — Repertory Picks This Friday, critic Girish Shambu will present Aki Kaurismäki’s warmhearted fable Le Havre (2011) at the TIFF Bell Lightbox in Toronto. The first entry in an ongoing trilogy about the plight of refugees in twenty-first-century Europe, the film is set...

Sep 23, 2016 — Did You See This? To celebrate the beginning of autumn this week, the BFI has published a list of ten films set during the season, including Douglas Sirk’s All That Heaven Allows, Yasujiro Ozu’s An Autumn Afternoon, Wes Anderson’s Rushmore,...

Mar 25, 2016 — Director Ben Wheatley discusses his favorite films, which include Godard’s Weekend. After watching it, he says, “I almost felt like I’d had the stack of cards in my head rearranged and reprogrammed.”

Feb 10, 2016 — Regular Criterion Collection contributor :: kogonada explores the innovative cinematic lexicon Godard developed in the fifteen features he made between 1960 and 1967.

Nov 17, 2015 — This week marks the first occasion of the Criterion Blogathon, a massive movie lovefest organized by the film blog Criterion Blues.

Apr 26, 2013 — Among filmmaker Pierre Etaix’s many eclectic accomplishments is his appearance as one of the thieves in Robert Bresson’s Pickpocket. However, you probably won’t be able to spot him: all that’s left of his performance is one of his hands, surreptitiously filching a wallet. In...

Sep 22, 2009 — One enters any major film festival with hopes of discovering a budding auteur, a new voice from some previously unheard-from part of the world—a Julián Hernández or Corneliu Porumboiu or Bong Joon-ho. At this year’s Toronto International Film Festival, however,...

Jul 2, 2009 — This week, Agnès Varda’s beguiling new film, the autobiographical documentary The Beaches of Agnès, makes its U.S. premiere at New York’s Film Forum, and for the occasion A. O. Scott has profiled the indefatigable eighty-one-year-old auteur in a splendid article...