Do Ankhen Barah Haath

Feb 3, 2023 — This week: Jean-Luc Godard, Sara Driver, Kira Muratova, Joyce Chopra, and a new Senses of Cinema.

Jan 31, 2023 — In this shape-shifting exploration of creativity, couplehood, and artistic influence, Mia Hansen-Løve offers a glimpse at the existential heavy lift required by her deceptively simple autofictions.

Jan 26, 2023 — With confident verve, Brandon Cronenberg’s Infinity Pool and Laura Moss’s birth/rebirth defy horror fans’ expectations.

Jan 25, 2023 — Critical favorites include new films by Ira Sachs, Roger Ross Williams, William Oldroyd, and Raine Allen-Miller.

Jan 24, 2023 — Filled with evocative images and guided by the unique aesthetic sensibility of the landlocked kingdom of Lesotho, Lemohang Jeremiah Mosese’s film is an exploration of the power of grief that is paradoxically uplifting.

Jan 19, 2023 — The frequent collaborators talk about their close friendship, the paths that led them to each other, and the artistic values they share.

Jan 18, 2023 — Names on the shelves this month include Terrence Malick, Vladimir Nabokov, Veronica Lake, and Mohsen Makhmalbaf.

Jan 17, 2023 — One of contemporary cinema’s most provocative filmmakers launched his career with three deeply unnerving, deliriously genre-blending portraits of Europe.

Jan 13, 2023 — This week’s eclectic round touches on experimental milestones, restorations, Mexican cinema, a Japanese series, and movies about movies.

Jan 9, 2023 — We gather some of the best recent writing on the National Society of Film Critics’s choices for the best films of 2022.