Them

Oct 19, 2023 — The UK celebrates Powell and Pressburger, two writers tune into Robert Bresson, and The Exorcist turns fifty.

Oct 18, 2023 — You don’t have to believe every word in Herzog’s memoir to get a kick out of it.

Oct 17, 2023 — I. “Morbid Cinema” On October 10, 1962, there appeared a brief paragraph from the Associated Press: “Tod Browning, eighty-two, who directed scores of movies between 1917 and 1939, is dead. He succumbed Saturday after an illness, and no funeral plans...

Oct 12, 2023 — The director completes her “trilogy on Italian identity” by offering an outsider’s point of view.

Oct 11, 2023 — The shock of Davies’s passing is compounded by the sinking realization that cinema has lost one of its most singular artists.

Oct 6, 2023 — Notes on a “gobsmacking” Mexican classic, Isabelle Adjani’s secrets, and underground cinephilia in Iran.

Oct 5, 2023 — Cailee Spaeny won the Best Actress award in Venice for her portrayal of Elvis Presley’s frightfully young girlfriend and wife.

Oct 4, 2023 — Night has fallen in London, but the streets still teem with people. Through a second-story window, we watch as an elderly Jewish man who lives over a shop is stabbed to death and his rooms are set on fire. We...

Sep 29, 2023 — The newly reconstructed and restored seven-hour version of the 1923 melodrama screens on Saturday and again next week in New York.

Sep 26, 2023 — Brett Morgen’s portrait of David Bowie is a free-associative hybrid of pop history and imaginative extravaganza—impressionistic, eclectically allusive, and, above all, immersive.