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The House Is Black

Jan 8, 2020 When it comes to building a genuine relationship between characters on-screen, how do you capture the feeling of a shared history? How much begins with what’s written on the page, and how much relies on the chemistry between actors or...

Sep 4, 2019 The late actor became an icon of his generation with this moody, brilliant non-performance, informed by his intimate knowledge of chaos and death.

Jun 14, 2019 Starting this weekend, Janus Films is putting Jennie Livingston’s extraordinary snapshot of Harlem’s drag balls of the 1980s back on the big screen.

Jun 8, 2018 San Francisco’s festival of experimental film prompts a new taxonomy from Michael Sicinski.

Apr 18, 2018 Before we lost Milos Forman and Vittorio Taviani over the weekend, the Slovak Spectator reported that Juraj Herz, the Czech actor and director best known for his 1968 film The Cremator, had passed away at the age of eighty-three. Just...

Mar 12, 2018 After Paula Prentiss, who’s recently turned eighty, had a nervous breakdown on the set of What’s New, Pussycat? (1965), she “didn’t turn up in another movie until Mike Nichols’s Catch-22 (1970), by which time Hollywood had changed to the point...

Sep 11, 2017 In this documentary portrait of the Newport Folk Festival, Murray Lerner captured seismic changes in American music and politics.

Aug 29, 2017 New York. The Film Society of Lincoln Center has announced a round of Special Events, added a title to its Retrospective, and rolled out the short films of the Main Slate for the fifty-fifth New York Film Festival (September 28...

Aug 25, 2017 On Wednesday, the Film Society of Lincoln Center presented the lineup for the Spotlight on Documentary section of this year’s New York Film Festival, following lineup announcements for the Main Slate, Projections, Revivals, and Retrospective programs. Today, the FSLC adds...

Aug 10, 2017 Ian Buruma, who’ll become the new editor of the New York Review of Books next month, has a piece in the new issue on The Memory of Justice, “the four-and-a-half-hour documentary that has rarely been seen since 1976 but is...

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