Into the Okavango

Apr 15, 2021 — Catherine Breillat and Todd Field are getting back behind the camera, while Scorsese and Spielberg forge ahead with their latest projects.

Apr 9, 2021 — Uncovering “The Naked City,” Bruce Goldstein’s scintillating chronicle of The Naked City’s groundbreaking New York location shoot, is more than the best “where-they-filmed-it” doc ever made. As Goldstein wittily traces director Jules Dassin’s Gotham roots and influences, this twenty-three-minute documentary—now...

Apr 5, 2021 — For the first time, all four individual film acting prizes have gone to people of color.

Mar 29, 2021 — Channel Calendars Next month, the Criterion Channel ups the ante with a collection of some of the greatest films ever made about the pulse-racing highs and gutter-dwelling lows of gambling. We’re also dealing out the Marx Brothers’ anarchic comedies, sublime...

Mar 24, 2021 — Performances By the time The Manchurian Candidate was released in 1962, Frank Sinatra had been on American screens and in American hearts for nearly two decades. His bobby-soxers had been displaced by Elvis fans, who had been displaced by Beatles...

Mar 18, 2021 — The range this month is wide, from Tsai Ming-liang to Ida Lupino, from Tobe Hooper to Josephine Baker.

Feb 26, 2021 — There would be no Indonesian cinema without Usmar Ismail (1921–71). His third feature, The Long March (Darah dan doa, 1950), was not only the first film to be produced by a fully Indonesian crew and production company but also one...

Feb 25, 2021 — Channel Calendars Giddy up, movie lovers! This month on the Channel, our Black Westerns series leads the charge, highlighting films that have challenged the myths of the Old West to tell the stories of African Americans on the frontier. And...

Feb 11, 2021 — The body never lies.Instead, it keeps score, with our very gestures and walk and physical eccentricities speaking to the traumas and desires we’d like to keep hidden. But there are some people so aware of this truth, and the power...

Jan 28, 2021 — Locarno dedicates its retrospective to the filmmaker Andrew Sarris once called a “grossly unappreciated directorial talent.”