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Black Girl

Mar 5, 2026 — A Film at Lincoln Center series will bring several French filmmakers to the city.

True/False 2026

The Daily

Mar 4, 2026 — Twenty-one world premieres, several critical favorites from Sundance, and the True Vision Award for Ross McElwee.

Jan 29, 2026 — Jonathan Glazer’s enigmatic second feature explores the terrors of being desperate for love—and the vulnerability, loneliness, and difficulty in understanding other people that might drive this state.

Jan 29, 2026 — A resounding critical and popular success upon its release, Héctor Babenco’s adaptation of a literary masterpiece by Manuel Puig was an unprecedented cinematic fusion of a radical politics of sex with a sexual politics of revolution.

Jan 28, 2026 — TIFF Cinematheque salutes the surrealist master with a series of fresh restorations and rare 35 mm prints.

Jan 20, 2026 — This month, leap into a century of cinema’s greatest stunts, feel the ache of thwarted romance and bittersweet yearning, or get into trouble with the Depression-era hustlers of Mervyn LeRoy’s pre-Code films.

Jan 15, 2026 — SXSW and Slamdance unveil full lineups, and the Berlinale fills out its Forum, Panorama, Generation, and Classics programs.

Sep 18, 2025 — No movie star was bigger in the 1970s, and he won an Oscar for directing Ordinary People. But Sundance may be his most impactful legacy.

Aug 19, 2025 — In his fifth and sixth feature films, Edward Yang sought to uncover what was hidden in Taipei society, often in plain sight, looking past the city’s shiny skyline to the fault lines beneath the surface.

Jul 24, 2025 — Directed by Jack Bond, It Couldn’t Happen Here is a strange and compelling document of the synth-pop duo at the height of their success, as well as a darkly absurdist send-up of provincial England in the Thatcher era.

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