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Sep 22, 2025 — The director of the documentary Celluloid Underground discusses his life as a curator, Iranian film culture, and the inherent ephemerality of cinema.

Sep 18, 2025 — This month’s programs offer a feast of horror, including a John Carpenter retrospective and a collection of the most terrifying films of the 2000s.

Sep 17, 2025 — One of the most influential comedies of the 1980s, Rob Reiner’s rock-and-roll satire is a remarkably authentic, lived-in portrait of musicians, their egotism, and the industry that feeds off their stardom.

Sep 16, 2025 — A portrait of a new generation of feminist consciousness in the New York art world, Lizzie Borden’s first film project spikes with a persistent friction between the filmmaker and her documentary subjects.

Sep 8, 2025 — Father Mother Sister Brother and The Voice of Hind Rajab win top awards in Venice.

Sep 3, 2025 — Amanda Seyfried (The Testament of Ann Lee), Jesse Plemons and Emma Stone (Bugonia), and Dwyane Johnson (The Smashing Machine) dazzle in Venice.

Aug 26, 2025 — Zeinabu irene Davis’s sole narrative feature is a vision of the past as it might have been, as well as an exploration of how history becomes a part of the everyday rhythms of Black life.

Aug 19, 2025 — Vittorio De Sica’s neorealist masterpiece captures the indifference and hostility of the adult world through the eyes of two young boys who share a bond stronger than that of family.

Aug 18, 2025 — Further winners in Locarno include White Snail, God Will Not Help, and Tales of a Wounded Land.

Aug 6, 2025 — The festival selects thirty-four features including world premieres and the best from Sundance, Berlin, Cannes, Venice, and Toronto.

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