The Criterion Collection
The longtime friends and collaborators praise The Bitter Tears of Petra von Kant and Klute as two of the most fashionable films of all time, share in their terror of Funny Games, and recommend favorites to each other like Flow...
The Daily
Jan 28, 2018 — The Sundance Film Festival has presented this year’s round of awards, and on that page you’ll find the descriptions that have tagged along with each title since the day it was announced as part of the lineup. Below, you’ll find...
The Daily
Jan 23, 2018 — Just in case it’s not obvious, a click on the title will take you to a roundup of reviews, interviews and, when available, trailers, clips, and more. Titles will be added throughout the festival and those entries will be updated...
Oct 11, 2022 — Frank Capra’s flamboyant farce—his only black comedy—finds an uncharacteristically frenetic Cary Grant surrounded by a clan of genteel maniacs.
Features
Oct 4, 2016 — This account of a visit to the Beyond the Valley of the Dolls set is excerpted from an issue of the University of California, Los Angeles, newspaper.
Feb 27, 2013 — More than eighty films into his career, Kenji Mizoguchi made this emotionally devastating masterpiece, from a story by Ogai Mori.
Mar 27, 2020 — The cost to the Soviet population due to the war with Germany from 1941 to 1945 has not been definitively established; the best-circulated estimate, about twenty-seven million, is thought by some scholars to be low by many millions. Under Joseph...
Essays
Jan 18, 2022 — Garrett Bradley warped the clock. In her masterwork Time (2020), the present is the past is the future—which is to say, the lie of linearity gets emptied. Virginia Woolf comes up, when I think of artists who have comparably seized...
Apr 22, 2024 — Fiercely committed to the possibilities of political art, the trailblazing director talks about how her intersectional understanding of feminism imbues her films, three of which are now playing on the Criterion Channel.
May 24, 2019 — Elia Suleiman, who returned to Cannes this year with his latest film, talks with us about comedy as a form of political resistance.