One Week

Nov 9, 2023 — The subtitle of the series Yasmina Price has programmed for BAM: Cinema, Surrealism, Marxism.

Nov 1, 2023 — Sandra Hüller meets Joachim Trier, Hayao Miyazaki predicts the future, and MoMA showcases Iranian cinema.

Oct 27, 2023 — We’re revisiting Infernal Affairs, Lisandro Alonso’s Los muertos, and some of the first reviews posted at Reverse Shot.

Oct 24, 2023 — The season brings Barbra Streisand’s memories, the “joyously vulgar” Burton and Taylor, and the story of Siskel and Ebert.

Oct 24, 2023 — A beautiful, intense woman stands in a large, dusky room, lit only by an oil lamp, her eyes wide in concern and something not far from panic, her eyebrows tremulously registering every thought and fear that passes through her mind,...

Oct 18, 2023 — You don’t have to believe every word in Herzog’s memoir to get a kick out of it.

Oct 13, 2023 — Look who’s talking: Martin Scorsese, Michael Mann, Nathaniel Dorsky, Ryusuke Hamaguchi, Gregg Araki . . .

Oct 11, 2023 — New York and London jointly launch a new restoration of the first feature directed by a Black British filmmaker.

Oct 6, 2023 — Notes on a “gobsmacking” Mexican classic, Isabelle Adjani’s secrets, and underground cinephilia in Iran.

Sep 26, 2023 — Brett Morgen’s portrait of David Bowie is a free-associative hybrid of pop history and imaginative extravaganza—impressionistic, eclectically allusive, and, above all, immersive.