Get on the Bus

Aug 22, 2005 — This delicate, fascinating film is self-consciously, almost militantly, naive, and it remains something of an anomaly in Roberto Rossellini’s body of work.

Apr 4, 1988 — Back in 1968 when The Producers made its debut, writer-director Mel Brooks was better known within the entertainment industry than by the public at large. His writing for Sid Caesar’s Your Show of Shows and the Get Smart television series,...

Aug 25, 2026 — James Gray’s extraordinary debut feature is a painstakingly distilled tale of crime and family dysfunction, captured with a merciless gaze and a sharp attention to idiosyncratic detail.

May 27, 2026 — Is it possible to look without trying to grasp the object of one’s gaze? Traditional ethnographic documentaries, much like the written ethnographies that preceded them, have attempted to explain a given culture to those who don’t belong to it, assuming...

Apr 17, 2026 — From a distance—looking down, say, from a penthouse office in a glass-paned downtown skyscraper—the U.S. economy of the 1990s and early 2000s could feel almost boring. Between Black Monday in 1987 and the Global Financial Crisis twenty years later, growth...

Apr 14, 2026 — Consider, for a moment, the jewel thief. No, not like the gang that, at the time of this writing, recently robbed the Louvre in Paris, France. Think rather of one you might find in Paris, Paramount. After all, as director...

Oct 26, 2022 — Deep Dives Every elliptical pleasure of Michael Laughlin’s Strange Behavior (a.k.a. Dead Kids, 1981)—the flattened post–Twilight Zone affect, the tableaux evoking Technicolor footage faded like old Polaroids, a host of cross-pollinated genre kinks—suggests outmoded code that’s been surreptitiously updated. Embracing...

Jun 21, 2022 — Two eras of Hong Kong history collide in this exquisite ghost story, which solidified director Stanley Kwan’s status as one of cinema’s truest romantics.

May 31, 2022 — Wayne Wang’s breakthrough feature, a milestone in Asian American cinema, is a humorous and intimate snapshot of San Francisco’s Chinatown.

Apr 19, 2022 — Vittorio De Sica’s neorealist fable deploys barbed humor and surreal flourishes to depict class solidarity and human kindness in postwar Italy.