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Fresh Airedale

Aug 13, 2007 Cría cuervos . . . , Carlos Saura's political and psychological masterpiece, was shot in the summer of 1975, as Spanish dictator Francisco Franco lay dying, and premiered in Madrid's Conde Duque Theatre, on January 26, 1976, forty years after...

Jun 18, 2007 Yasujiro Ozu had already directed forty-five features by the time he started work on Early Spring, in 1955, but the artistic and commercial success of his previous film, Tokyo Story (1953), had rejuvenated him.

Apr 16, 2007 Jules Dassin’s noir is arguably the meatiest and most resonant prison film ever made in Hollywood, drawing explicit parallels to the Nazi encampment experience.

Mar 26, 2007 Across five films, the Swedish director defined his guiding themes and cinematic style.

Feb 19, 2007 For a director whose vision is so frequently called pessimistic, Mikio Naruse’s drama exhibits a lightness of touch, deft and coolly understated, like its cocktail jazz score.

Plate o’ Shrimp

Production Notes

Jan 17, 2007 This week, Border Radio was released on DVD. The film is the post-UCLA film school project of first-time directors Allison Anders, Kurt Voss, and Dean Lent. Yesterday, we got a note from a fan who wrote a really thoughtful, personal...

Jun 19, 2006 Decades after its backyard birth, Jack Woods’s DIY horror movie has forged a model of inspiration for succeeding generations of effects artists and low-budget filmmakers.

Apr 24, 2006 This influential crime thriller, designed purely as a genre exercise, is the first in the long series of anomalies that was Louis Malle’s career.

Mar 27, 2006 Louis Malle’s coming-of-age drama offers an unusually full and individualized characterization of a boy whose yearnings, sensitivities, and fantasies outstrip his personality.

Jan 23, 2006 Ingmar Bergman was enjoying one of the happiest spells of his life while making The Virgin Spring (1960). On a personal level, he was felicitously ensconced in his fourth marriage, to the concert pianist Käbi Laretei. And, professionally, he was...

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