The Criterion Collection
Essays
Mar 25, 2025 — Set in a grimy, unglamorous version of Los Angeles, Arthur Penn’s Watergate-era neonoir tells the story of an honorable private eye acutely conscious of living in an era that is the mere shadow of a nobler past.
Mar 24, 2025 — At the turn of the millennium, a loose collective of filmmakers—including Lars von Trier and Thomas Vinterberg—made a splash with a provocative manifesto and a wave of audacious movies shot on digital video.
The Daily
Sep 25, 2024 — A dozen newly restored films from the 1970s, ’80s, and ’90s will screen in this year’s program.
The Daily
Feb 2, 2024 — Film Forum’s series of thirty films centering on women loving women is “eccentric, enduring, and genre-encompassing.”
Jul 11, 2023 — In her audacious debut feature, Cheryl Dunye blends romantic comedy and staged archival material to explore love, friendship, and early U.S. cinema’s history of exclusion.
May 25, 2023 — One of the first hit movies made by an Asian American team, They Call Me Bruce confronts everyday racism with irreverent humor emblematic of its era.
The Daily
Mar 16, 2023 — While the competition juries have their say, critics spotlight a few favorites from the gala premieres.
Jan 26, 2023 — This great director from the golden age of Mexican cinema drew upon a wide range of styles to explore the conflict between tradition and modernity.
The Daily
Nov 11, 2022 — This week we’re celebrating Scorsese, rediscovering Noriaki Tsuchimoto, and doing a little close reading with Frederick Wiseman.
Nov 8, 2022 — In her first film that places a male character front and center, Jane Campion trains her unsparing gaze on the brutality of patriarchal power and the pain of repressed homoerotic desire.