The Criterion Collection
Saul Austerlitz is the author of Another Fine Mess: A History of American Film Comedy.
Adam Nayman is a critic, lecturer, and author based in Toronto. He writes for the Ringer, Reverse Shot, the New Yorker, and Sight and Sound, and teaches cinema studies at the University of Toronto. He has written several books on...
Antonio Monda teaches in the Film and Television Department at New York University. He is the director of several documentaries as well as the feature film Dicembre. He is the artistic director of the literary festival Le Conversazioni. A columnist...
Peter Guralnick has written extensively on American music and musicians. His books include a prize-winning two-volume Elvis Presley biography, Last Train to Memphis and Careless Love, and Dream Boogie: The Triumph of Sam Cooke. He is currently at work on...
Paul Ryan (1952–2022) was a writer and singer whose books include Never Apologise: The Collected Writings of Lindsay Anderson.
Sam Wasson is the best-selling author of many books on film, including Hollywood: The Oral History, cowritten with Jeanine Basinger and published in November 2022.
Cyril Neyrat has served on the editorial board of Cahiers du cinéma and as editor in chief of the film journal Vertigo. His film criticism has been published internationally in periodicals, in catalogs, in collected volumes, and on the website...
Nick Roddick (1945–2019), a former editor at Screen International, taught film and theater at universities in the UK, Ireland, and the U.S. before becoming a journalist in the early 1980s. He contributed regularly to the London Evening Standard and Sight...
Pico Iyer is the author of fifteen books, including The Lady and the Monk, about his first year in Japan, and twinned books, Autumn Light and A Beginner’s Guide to Japan, about his thirty-first.
Ivone Margulies is the author of In Person: Reenactment in Postwar and Contemporary Cinema and Nothing Happens: Chantal Akerman’s Hyperrealist Everyday. She is the editor of Rites of Realism: Essays on Corporeal Cinema and the coeditor of On Women’s Films:...