The Criterion Collection
Oct 22, 2007 — Through the alcohol-induced convulsive movements of Firmin, a fallen diplomat, John Huston puts what is perhaps his own fear of decline, of departure without making peace with one’s loved ones, on the screen.
Apr 24, 2006 — This influential crime thriller, designed purely as a genre exercise, is the first in the long series of anomalies that was Louis Malle’s career.
Essays
Jul 25, 2005 — Seijun Suzuki’s drama sees sexuality as a potent anarchic force that, in its implacable selfishness, brushes aside any sort of order or discipline.
May 9, 2005 — Les Blank’s documentary examines the interaction of premodern tribal existence with European modernity, epitomized by a movie narrative about the invidious clash of brute nature and a singular ego bent on his own mission of cultural enlightenment.
Jun 23, 2003 — The following text is from Michael Töteberg’s presentation of a collection of Fassbinder screenplays (The Merchant of Four Seasons, Ali: Fear Eats the Soul, Fontane Effi Briest), which were published in Germany as Fassbinders Filme, Band 3 (Fassbinder’s Films, Vol....
Essays
Nov 26, 2001 — Peter Weir’s first film to be released in America insists on the tangible power of spiritual life.
Essays
Jun 4, 2001 — Mad with images of nature in rebellion, Luis Buñuel’s 1964 film is a droll vision of Eden during the Fall starring a sumptuous Jeanne Moreau.
Essays
Dec 6, 1987 — Mike Nichols’s treatment of a young man’s initiation into the mysteries of sex at the hands of an older married woman has become a model for this common fantasy.
The Daily
Aug 28, 2026 — Revisiting work by Whit Stillman, Frederick Wiseman, Nathaniel Dorsky—and lots of road movies.