The Criterion Collection
Features
Aug 9, 2022 — An indie pioneer whose life was cut tragically short, the Texas filmmaker found grace in the tedium of repressive small-town existence.
The Daily
Aug 5, 2022 — We wrap the week with melodrama and Odorama, a new magazine, and the summer of 1982.
The Daily
Aug 1, 2022 — The Austin Film Society presents films directed by Anna Karina, Juliet Berto, Jeanne Moreau, and Delphine Seyrig.
The Daily
Jul 28, 2022 — Directing the Monkees in Head and Jack Nicholson in Five Easy Pieces, Rafelson was a key figure of the New Hollywood.
On the Channel
Jul 27, 2022 — Beat the heat with our extensive survey of Chinese representation in American film as well as tributes to Yaphet Kotto, David Gulpilil, and Myrna Loy.
The Daily
Jul 26, 2022 — The festival selects urgent documentaries, starry portraits, and family dramas.
Jul 22, 2022 — Entwined with the evolution of American culture, boxing movies have used the microcosm of the ring to tackle issues of race, class, gender, and labor.
The Daily
Jul 19, 2022 — Our midsummer books roundup opens with one sharp critique and one celebration of American popular culture.
Jul 13, 2022 — Stylistically informed by film noir, Martin Scorsese’s searing drama plumbs male violence and rage through a boxing champ’s self-destruction.
Jul 13, 2022 — Martin Scorsese’s long-gestating boxing opus—one of the last films on which he enjoyed unequivocal studio support—emerged from a Hollywood in transition.