No Other Land

Feb 20, 2024 — I have, over time, become wary of and impatient with the word authentic, especially when it’s too casually and blithely deployed, as it often is these days, to defame or diminish someone or something based on arbitrary standards of what...

Feb 14, 2024 — Portraits of Stanley Kubrick and Agnès Varda, a memoir from Ed Zwick, and a history of Blaxploitation are among the highlights.

Feb 14, 2024 — Among the highlights of this month’s programming are a selection of notorious Golden Raspberry Award winners, Isabella Rossellini’s Green Porno series, and a collection of extreme and virtuosic Method performances.

Jan 29, 2024 — Get ready for Valentine’s Day with a collection of otherworldly love stories, and celebrate Black History Month with a selection of films exploring African American history.

Dec 13, 2023 — As twenty-five films are added, the Academy Museum spotlights the Registry’s thirty-five-year history.

Dec 12, 2023 — In the history of cinema, French director Albert Lamorisse is a unique figure. His intense focus on three subjects—children, animals, and flight—is distinctive, and the fact that all of his works clock in under ninety minutes (and most under an...

Dec 8, 2023 — Roy Waller (Nicolas Cage), the jittery protagonist of Ridley Scott’s 2003 crime comedy Matchstick Men, doesn’t like to think of himself as a common crook. “I’m a con artist,” he insists, and—in a frenzy of self-justification—further explains: “They give me...

Nov 13, 2023 — Channel Calendars This December, take your pick from the cinematic gifts under our tree! We’ve got a spotlight on indie queen Parker Posey, major retrospectives dedicated to the towering artists Yasujiro Ozu and Ousmane Sembène, offbeat portraits of the animal...

Oct 24, 2023 — A beautiful, intense woman stands in a large, dusky room, lit only by an oil lamp, her eyes wide in concern and something not far from panic, her eyebrows tremulously registering every thought and fear that passes through her mind,...

Oct 19, 2023 — Her entrance in the film is impossible to forget. She swings into the scene to serve a patron some coffee, holding a cup in one hand and a book in the other. Her diamond-shaped face is obscured, but her aura...