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Oct 8, 2017 — “One of the most transporting depictions of the Downtown New York scene (in a field crowded with docs, memoirs and fictions—some by artists who weren’t alive at the time), Sara Driver’s Boom for Real: The Late Teenage Years of Jean-Michel...

Oct 1, 2017 — “Having placed second in Toronto’s People’s Choice Awards, James Franco scored his first big outright win as a director, his The Disaster Artist scooping Saturday night the 65th San Sebastián Festival’s Golden Shell, the top plaudit at the highest-profile film...

Sep 27, 2017 — In conjunction with a new edition of Stan Brakhage’s Metaphors on Vision, we’re sharing a selection from the opening pages of this seminal work.

Sep 22, 2017 — New York. Ben Kenigsberg flags three items in the Times, starting with Art House Theater Day, “a day in which cinemas across the United States and Canada will offer special programming in a show of celebration.” In New York, Thelma...

Sep 20, 2017 — New York. “Like a modern character from Crete’s ancient Minoan culture, trailblazer artist Joan Jonas weaves symbols and media to transfigure feminist and psychological themes,” writes Mónica Savirón for BOMB. “Her work juxtaposes sculpture, painting, film, video, and performance as...

Sep 17, 2017 — Matteo Garrone’s gritty portrait of the Neapolitan Mafia draws on a lineage of Italian crime films dating back to Francesco Rosi’s trailblazing Salvatore Giuliano.

Sep 11, 2017 — “Brace yourselves,” warns Leonardo Goi, writing for Cinema Scope: “after the American sojourn that brought the likes of Face/Off and Mission Impossible 2 and a detour into Chinese historical-blockbuster mode with Red Cliff, John Woo has returned to the Asian...

Sep 8, 2017 — “A complex and layered work, [Jonas Mekas’s] Lost Lost Lost [1976]—especially its first hour—is among cinema’s most poignant accounts of the immigrant experience,” writes Girish Shambu. “Historically, the best immigration cinema stages, in an astonishing multitude of ways, a divided...

Sep 7, 2017 — As part of a six-week retrospective of the work of Chantal Akerman, the Harvard Film Archive screens her most famous film in 35 mm.

Sep 1, 2017 — “There are any number of unforgettable images in Ai Weiwei’s Human Flow, the most necessary and comprehensive documentary to date about our planet’s current refugee crisis,” writes IndieWire’s David Ehrlich, “but the most indelible of them all is borrowed from...