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As Actor:

Mar 26, 2019 As BAM prepares to present the largest U.S. retrospective yet, we look back on the singular oeuvre.

Oct 26, 2017 Professor David Bordwell uses the economically expressive performances of Jules Dassin’s Brute Force as an object lesson for breaking down the fundamentals of screen acting.

Aug 16, 2017 French New Wave icon Jeanne Moreau possessed a stillness, a way of surrendering to the camera, that made her utterly unique among modern actors.

Jan 28, 1991 The following review, one of the most renowned in the history of film criticism, appeared in The New Yorker magazine on October 28, 1972. It is reprinted with the permission of the author, Pauline Kael. Bernardo Bertolucci’s Last Tango in...

Jul 21, 2026 At the beginning of Cruel Story of Youth (1960), the title splashes across the screen in fiery red. Each of the three Japanese words that appear offers a key to understanding director Nagisa Oshima’s breakthrough film and the energies that...

A Kind of Requiem

The Daily

Dec 12, 2025 This week: Bi Gan, Radu Jude, a new Film Quarterly, and of course, more year-end lists and polls.

Jan 23, 2025 In the run-up to the forty-first edition, critics have been writing up lists of their most-anticipated films.

Resonant Hauntings

The Daily

Nov 10, 2023 Black mothers’ stories come around again, Matt Wolf probes the archives, and Lizzie Borden conjures the streets of mid-1980s New York.

Jul 28, 2023 This week: Stephanie Zacharek’s hundred favorites, Peter Wollen on the British New Wave, and a conversation with Hong Sangsoo.

May 23, 2023 Anatomy of a Fall, May December, and About Dry Grasses are among the critical favorites in competition in Cannes.

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