The Criterion Collection
The Daily
Mar 26, 2019 — As BAM prepares to present the largest U.S. retrospective yet, we look back on the singular oeuvre.
On the Channel
Oct 26, 2017 — Professor David Bordwell uses the economically expressive performances of Jules Dassin’s Brute Force as an object lesson for breaking down the fundamentals of screen acting.
Aug 16, 2017 — French New Wave icon Jeanne Moreau possessed a stillness, a way of surrendering to the camera, that made her utterly unique among modern actors.
Jan 28, 1991 — The following review, one of the most renowned in the history of film criticism, appeared in The New Yorker magazine on October 28, 1972. It is reprinted with the permission of the author, Pauline Kael. Bernardo Bertolucci’s Last Tango in...
Jul 21, 2026 — At the beginning of Cruel Story of Youth (1960), the title splashes across the screen in fiery red. Each of the three Japanese words that appear offers a key to understanding director Nagisa Oshima’s breakthrough film and the energies that...
The Daily
Dec 12, 2025 — This week: Bi Gan, Radu Jude, a new Film Quarterly, and of course, more year-end lists and polls.
The Daily
Jan 23, 2025 — In the run-up to the forty-first edition, critics have been writing up lists of their most-anticipated films.
The Daily
Nov 10, 2023 — Black mothers’ stories come around again, Matt Wolf probes the archives, and Lizzie Borden conjures the streets of mid-1980s New York.
The Daily
Jul 28, 2023 — This week: Stephanie Zacharek’s hundred favorites, Peter Wollen on the British New Wave, and a conversation with Hong Sangsoo.
The Daily
May 23, 2023 — Anatomy of a Fall, May December, and About Dry Grasses are among the critical favorites in competition in Cannes.