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The Pinchcliffe Grand Prix

Deborah Young is a film critic and journalist living in Rome. She has written extensively about Italian cinema and is the international film editor of the Hollywood Reporter.

Andrew Moor is a reader in film history and theory at Manchester Metropolitan University. He is the author of Powell and Pressburger: A Cinema of Magic Spaces and coedited, with Ian Christie, The Cinema of Michael Powell: International Perspectives on...

Dennis Lehane is the author of many novels, including Gone, Baby, Gone (1998); Mystic River (2001); and Small Mercies (2023).

Patrick Macias is the author of TokyoScope: The Japanese Cult Film Companion and the writer of the Paranoia Girls web comic.

Graham Fuller is film editor of the Arts Desk and an editorial associate at Cineaste. He has written about movies for Sight and Sound, Film Comment, Vanity Fair, and the New York Times. He has also contributed essays to the...

Joan Mellen is the author of several books about Japanese cinema, including Voices from the Japanese Cinema and The Waves at Genji’s Door as well as monographs for the BFI on Seven Samurai and In the Realm of the Senses....

Peter Brunette is Reynolds Professor of Film Studies at Wake Forest University and the author of books on Rossellini, Michelangelo Antonioni, and, most recently, the Hong Kong director Wong Kar-wai.

Michael Raine teaches Japanese cinema and other courses in the Department of East Asian Languages and Civilizations and in the Program in Cinema and Media Studies at the University of Chicago. He has published on various aspects of Japanese cinema...

Geoffrey Macnab writes on film for the Independent, Sight & Sound, the Guardian, and Screen International. He is the author of The Making of “Taxi Driver,” Key Moments in Cinema, Searching for Stars: Stardom and Screen Acting in British Cinema,...

William Paul, a professor of film and media studies at Washington University in St. Louis, is the author of Ernst Lubitsch’s American Comedy; Laughing Screaming: Modern Hollywood Horror and Comedy; and When Movies Were Theater: Architecture, Exhibition, and the Evolution...

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