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The Visit

July Books

The Daily

Jul 17, 2024 Summer reading options range from fiction to philosophy, from the fog of war to finicky fame.

Sep 26, 2022 For this new illustration, Spanish artist David de las Heras combined his signature use of bold colors with the lush style of French postimpressionist Henri Rousseau, a key visual influence on Atom Egoyan’s 1994 film.

Perceptive Splits

The Daily

Mar 18, 2022 Ukrainian cinema, suspense vs. dread, and the opposite of synesthesia are on our minds this week.

Feb 26, 2021 There would be no Indonesian cinema without Usmar Ismail (1921–71). His third feature, The Long March (Darah dan doa, 1950), was not only the first film to be produced by a fully Indonesian crew and production company but also one...

Feb 25, 2021 Studio Visits Born and raised in Ecuador, Juan Miguel Marin didn’t always know that he would build a life in art. As a child he was more interested in music and sports, though he was exposed to painting through the...

Aug 7, 2019 Studio Visits Brooklyn native Danielle Mastrion draws a great deal of inspiration from the city that she calls home—and also often uses it as her canvas. A socially conscious, classically trained painter who taught herself to work in aerosol, Mastrion...

Jun 18, 2019 Bruno Dumont’s remarkable first feature examines the intermingling of the sacred and the profane in the French provinces.

May 14, 2019 The seventy-second edition will present new work by some of the world’s most renowned filmmakers.

Jul 27, 2018 Olivier Assayas calls Blain “one of the great, underrated, unknown, under-recognized filmmakers of his time.”

Oct 30, 2017 Just in time for Halloween, we’re musing on what it is that makes a movie frightening with the help of filmmaking duo Josh and Benny Safdie.

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