The Criterion Collection
May 13, 2019 — One Scene The Piano Teacher is one of my favorite films, and a rare novelistic adaptation that doesn’t suffer from comparison with its source material. This is especially impressive given how good a source it has: Elfriede Jelinek’s 1983 novel...
Essays
Feb 12, 2019 — In a stark, forbidding prison, a nun ascends a staircase, framed by vertical bars, and walks down a corridor, unlocking cell doors. Women start coming out; two of them quarrel. Smoking on her bunk, one inmate sighs when told she...
The Daily
Jan 30, 2019 — An exhibition, a film series, and of course, If Beale Street Could Talk are markers of heightened interest in the writer, activist, and cinephile.
Essays
Jan 15, 2019 — In Notorious (1946), love assumes different shapes and presentations—as a wound, a weapon, a promise, a curse. For Ingrid Bergman as the lusciously complex and raw-nerved Alicia Huberman, it’s all these things. As the film begins, Alicia is on the...
Essays
Dec 18, 2018 — Half a century before Julien Duvivier made his 1946 film Panique, the French social psychologist Gustave Le Bon published his influential study of mob behavior, The Crowd: A Study of the Popular Mind, in which he argued that recent upheavals in...
Aug 13, 2018 — This year’s edition will feature new work from Tsai Ming-liang, Jodie Mack, Albert Serra, and Laida Lertxundi.
The Daily
Aug 8, 2018 — New films by Karyn Kusama, Alex Ross Perry, and Benjamín Naishtat will compete in the Platform program.
The Daily
Jul 25, 2018 — And Orson Welles’s The Other Side of the Wind will finally see the light of day.
Jun 26, 2018 — John Waters’ favorite among his early works is both an assault on political correctness and a no-holds-barred expression of gay militancy.