After making his mark in the early thirties with two very different films, this French master closed out the decade with two humanistic studies of French society that routinely turn up on lists of the greatest films ever made.

Once widely misunderstood, this French master of suspense dealt in misanthropic, black-humored tales and is now recognized to be among the greatest directors of the 1950s.

Oct 21, 2008 TECHNICOLOR, ROME—What a day! After spending the morning with Antonio Salvatori, the original color timer on Rosi’s The Moment of Truth and Antonioni’s Identification of a Woman, we were lucky enough to run into the great master Giuseppe Rotunno, who...

Oct 20, 2008 Though he had been directing films since the silent era, Kenji Mizoguchi didn’t become an international sensation until after the Second World War, benefiting from a new fascination with Japan’s cinematic output.

Oct 16, 2008 Michael Boland’s design for Criterion’s special edition release of Vampyr has gotten some special attention of its own, from the prestigious design journal Communications Arts. In the Exhibit section—highlighting “outstanding examples of graphic design and advertising”—of the journal’s website, editors...

Cop 223 Gets Lucky

Production Notes

Oct 14, 2008 Okay, quiz time. What does the music video for Justin Timberlake’s “SexyBack” have to do with the Criterion Collection? Give up? Well, it was shot by none other than ace director of photography Christopher Doyle, whose work is being brought...

Oct 9, 2008 Lola Montès, Max Ophuls’s final film and some would say greatest masterpiece, opened today in New York and Los Angeles in what is being touted as the definitive restoration. Butchered by its producers and a flop on initial release in...

Oct 6, 2008 Jean-Pierre Melville’s ninth and to that point most commercially successful feature in France, was an important watershed in the director’s career.

Sep 30, 2008 9 August 2008: I go to the neighborhood theater to see Snow Trail (a.k.a. To the End of the Silver Mountains, a.k.a. Ginrei no haté), a 1946 Senkichi Taniguchi film now revived because it was Toshiro Mifune’s second film. Revived...

Sep 29, 2008 After Ozu died on his sixtieth birthday, December 12, 1963, some thirty-two diaries were discovered. They were from 1933 to 1963, and though a few years were missing, they offer a commentary on the life of the director and reveal...

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