The Criterion Collection
Features
May 22, 2015 — It is one of my most strongly held critical beliefs that you should not write about films you don’t like. First, it is bad for the soul to exult in pointing out the deficiencies of the film in question. Second,...
In Theaters
May 21, 2015 — Repertory PicksWhen cinematographic genius Max Ophuls made his first Technicolor, CinemaScope extravaganza (also, sadly, his last, due to his death), he pulled out all the stops. Lola Montès, his ravishing biopic of the notorious nineteenth-century courtesan, is the kind of...
Sneak Peeks
May 20, 2015 — We were thrilled to sit down with the iconic Bette Midler about her dazzling breakthrough performance as a Janis Joplin–esque rock star at the end of her rope in The Rose, a wild, energetic turn that was the result of...
Features
May 13, 2015 — Cannes is complicated. To the first-time visitor, it seems a blur of parties, dinners, and screenings, and wherever you are, you are constantly troubled by the thought that the really hot screening or the really hip party is happening elsewhere.
Tech Corner
May 8, 2015 — Repertory PicksIn 1993, the original negatives of Satyajit Ray’s The Apu Trilogy were burned in a massive nitrate fire at a laboratory in London. Even though there were no technologies available at the time capable of fully restoring such badly...
In Theaters
May 7, 2015 — Repertory PicksPut down that Hallmark greeting card and head over to Museum of the Moving Image in New York this Sunday for Mother’s Day. For the holiday, the museum is showing a terrifying trio of films with a maternal theme,...
Features
May 7, 2015 — Movie comedies about moviemaking through the decades
In Theaters
May 4, 2015 — Two decades after its original negatives were burned in a fire, Satyajit Ray’s breathtaking milestone of world cinema The Apu Trilogy (Pather Panchali, Aparajito, and Apur Sansar) is returning to theaters across the country, in a meticulously reconstructed new 4K...
May 1, 2015 — In his first feature, Jean-Pierre Melville found subtly radical ways to adapt Vercors's underground French novel about quiet resistance against the German occupation.
Apr 29, 2015 — Peter Yates's crime drama is a haunting, singular experience, brutal and minutely observed, with a remarkably authentic sense of place.