The Hindenburg

David Bordwell is the author of Planet Hong Kong: Popular Cinema and the Art of Entertainment (second edition available at his site).

Tom Piazza is the author of twelve books, including the novels The Auburn Conference and A Free State, the post–Hurricane Katrina manifesto Why New Orleans Matters, and the essay collection Devil Sent the Rain. He was a principal writer for...

Stuart Klawans was the film critic for the Nation from 1988 through 2020.

Ed Halter is a founder and director of Light Industry, a venue for film and electronic art in Brooklyn, and teaches as Critic in Residence at Bard College. His writing has appeared in 4Columns, Artforum, the Village Voice, and elsewhere.

Paul Arthur is the author of A Line of Sight: American Avant-Garde Film Since 1965 (University of Minnesota Press). He is a regular contributor to Cineaste and Film Comment and is coeditor of Millennium Film Journal.

Fred Camper is an artist who makes digital prints, mostly photo-based, and has for many decades been a writer and lecturer on film and art. He lives in Chicago, where he teaches at Columbia College Chicago and the School of...

Tony Peake is the author of Derek Jarman (The Overlook Press, 2000) and two novels: A Summer Tide (Abacus, 1993) and Son to the Father (Little, Brown, 1995). As a short story writer, his work has been widely anthologized, and...

Noah Baumbach wrote and directed the films White Noise, Marriage Story, and The Squid and the Whale.

Born and raised in London, David Thomson is the author of A Biographical Dictionary of Film and, most recently, The Fatal Alliance: A Century of War on Film, among many other books.

Jonathan Lethem is the author of thirteen novels, including Chronic City and Brooklyn Crime Novel. His writings and commentaries on film include the monograph They Live; liner notes for releases of Robert Siodmak’s The Killers, Thom Andersen’s Red Hollywood, Orson...