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The Beautiful Story

Oct 9, 2008 Lola Montès, Max Ophuls’s final film and some would say greatest masterpiece, opened today in New York and Los Angeles in what is being touted as the definitive restoration. Butchered by its producers and a flop on initial release in...

Jul 21, 2008 Carl Theodor Dreyer’s elliptical and dreamlike vampire film defies definitive shots at interpretation.

Sep 17, 2007 Today we are used to seeing dance artistically presented on television and in movies—these films about Martha Graham helped to make that happen.

Aug 14, 2006 “Some people think rohmer is in league with the devil,” wrote cinematographer Nestor Almendros in his book of autobiographical reflections on the cinema, A Man with a Camera. He was describing his working experience on My Night at Maud’s (1969)....

Feb 21, 2006 Kind Hearts and Coronets (1949) is an Ealing comedy in name only. True, it’s undeniably a comedy and was made by (though largely not at) Ealing. But in virtually every other respect, it deviates startlingly from the commonly accepted stereotype....

Feb 13, 2006 John Ford’s biographical drama portrays an imaginary antebellum America with relaxed humor and effortless nostalgic charm while sustaining an underlying note of somber apprehension.

Oct 24, 2005 When Samurai Rebellion premiered, on May 27, 1967, the original Japanese title was Joiuchi—hairyo tsuma shimatsu, which means something like Rebellion—Receive the Wife. This title indicates the two concerns of the film: the social impact of an unheard-of act of...

Oct 24, 2005 Jean-Pierre Melville’s great film flirts with macho extremism and slips over into dream and poetry just as it has us most alarmed.

Sep 19, 2005 Jane Campion is a rarity, not simply because she is a world-class female director, but because she has devoted her career to exploring female subjectivity.

Sep 29, 2003 In May 1981, in the midst of shooting Lola, Rainer Werner Fassbinder sketched out his next film project: Sybille Schmitz. On the cover, he had written, “Story for a Feature Film*.” The asterisk pointed to this footnote: “It is possible...

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