The Criterion Collection
Aug 20, 2001 — Before Lars von Trier, Krzysztof Kieslowski, Andrei Tarkovsky, Ingmar Bergman, Robert Bresson there was Carl Th. Dreyer. The first great film artist to pursue the ineffable in cinema, Dreyer gave depth to what early silent filmmakers innately understood yet took...
The Daily
Sep 25, 2025 — So far this year, no other movie has been as enthusiastically reviewed as Paul Thomas Anderson’s One Battle After Another.
Nov 1, 2022 — In one of the most incendiary and formally experimental films of the Czechoslovak New Wave, two mysterious young women uncover humanity’s endless potential for revolt.
Sep 28, 2021 — Melvin Van Peebles’s feature debut riffs on the French New Wave to tell a love story that portrays interracial intimacy and unflinchingly confronts the distortions of racism.
May 16, 2019 — All week long, writers have been reminding us that there was more to Doris Day than sweet sunshine.
Mar 18, 2019 — One Scene When Jia Zhangke made his 1997 feature debut, Xiao Wu, he was rebelling against decades of tradition that had drawn a hard line between cinema and reality. Chinese film history is rooted in genres found in classical theater...
Oct 22, 2018 — With her a capella take on the Rolling Stones’ “As Tears Go By,” the singer turns a brief moment in one of Godard’s most playful films into a reflection on loss.
Oct 17, 2018 — A public-television commission intended to raise class consciousness, Eight Hours Don’t Make a Day inspired heated debates about its political orientation.
Oct 9, 2018 — In a world vulnerable to authoritarianism, Rainer Werner Fassbinder’s television epic stands as an example of how an artist can speak to a broad audience about revolutionary politics.
The Daily
Aug 27, 2018 — Theater and movie audiences laughed at his one-liners throughout the 1960s and ’70s.