The Criterion Collection
Jun 19, 2006 — Decades after its backyard birth, Jack Woods’s DIY horror movie has forged a model of inspiration for succeeding generations of effects artists and low-budget filmmakers.
Features
Apr 17, 2006 — In the absence of a finished, definitive edit of Orson Welles’s enigmatic project, three writers dive into the unsolvable mystery of the film and the different versions presented in the Criterion edition.
Essays
Oct 15, 2001 — The music in Benjamin Christensen’s classic constantly refers to something deeper, creating a sort of deep pity in preparation for the ending of the film.
Aug 20, 2001 — Before Lars von Trier, Krzysztof Kieslowski, Andrei Tarkovsky, Ingmar Bergman, Robert Bresson there was Carl Th. Dreyer. The first great film artist to pursue the ineffable in cinema, Dreyer gave depth to what early silent filmmakers innately understood yet took...
Essays
May 15, 2000 — Twenty-five years after its first appearance, Bergman’s film of The Magic Flute remains the finest screen version of an opera ever produced. Shot in sumptuous color by Sven Nykvist, and featuring some of the finest Nordic singers of the day,...
Essays
Apr 23, 1990 — Paying little attention to civilized rules of cinema, and with a bit more than one million dollars, Steven Soderbergh expresses all his hidden anxieties in this indie classic.
The Daily
Jul 24, 2026 — Names on our minds this week: Mike Mills, Jean Renoir, Ronee Blakley, and Luchino Visconti.
The Daily
Jul 24, 2026 — September will bring new films from Lee Chang-dong, Julia Loktev, Barbara Kopple, Mariano Llinás, and Takashi Miike.
The Daily
Jul 17, 2026 — This week brings conversations with Jeffrey Wright, John Woo, and the members of three cinema collectives.